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Update: 2025-08-30

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CubicPadSynth is a wavetable synthesizer which uses PADsynth algorithm to generate oscillator tables. Cubic interpolation is used to get smooth sound even at inaudible low frequency range. LFO waveform can be directly drawn.

CubicPadSynth requires AVX or later SIMD instructions on x86_64 environment.

full package contains following builds.

Linux build is built on Ubuntu 24.04. If you are using distribution other than Ubuntu 24.04, plugin will not likely to run. In this case, please take a look at build instruction.

macOS package is recommended for macOS user. I can’t purchase Apple Developer Program, therefore installation requires a workaround to bypass Gatekeeper. Details of workaround are written in Installation -> macOS Specific section.

Feel free to contact me on GitHub repository or ryukau@gmail.com.

You can fund the development through paypal.me/ryukau.

Move *.vst3 directory to:

DAW may provides additional VST3 directory. For more information, please refer to the manual of the DAW.

Notice: Some plugins don’t have presets provided by Uhhyou Plugins.

Presets are included in the plugin package linked at the top of this page. To install presets, follow the steps below.

  1. Download plugin from a link at the top of this page.
  2. Extract downloaded zip file.
  3. Open presets directory placed in extracted package.
  4. Move Uhhyou directory into an OS specific preset directory (see below).

Below is a list of preset directories for each OS.

Preset directory name must be the same as the plugin. If preset directory does not exist, create it.

If DAW doesn’t recognize the plugin, try installing C++ redistributable (vc_redist.x64.exe). Installer can be found in the link below.

On Ubuntu 24.04, those packages are required.

sudo apt install libxcb-cursor0  libxkbcommon-x11-0

If DAW doesn’t recognize the plugin, take a look at Package Requirements section of the link below and make sure all the VST3 related package is installed.

REAPER on Linux may not recognize the plugin. A workaround is to delete a file ~/.config/REAPER/reaper-vstplugins64.ini and restart REAPER.

Important: full package is not confirmed working. When using full, try removing following files.

macOS package doesn’t contain above files. Also, all packages are in “ad-hoc signing” state set by codesign command.

When trying to run plugin first time, following message may appear on macOS.

<PluginName>.vst3 is damaged and can't be opened. You should move it to the Trash.

In this case, open terminal and try running one or both of following command to unzipped .vst3 directory. Replace /path/to/PluginName.vst3 according to your install location.

xattr -rd com.apple.quarantine /path/to/PluginName.vst3
xattr -rc /path/to/PluginName.vst3

Plugin may be considered as unsigned/un-notarized application. In this case, open System Preferences, go to Security & Privacy → General, then click the Open Anyway button. The offcial Apple help page linked below has screenshots for the procedure. See “If you want to open an app that hasn’t been notarized or is from an unidentified developer” section.

If the plugin is still not working, try changing install location to /Library/Audio/Plug-ins/VST3/ or /Users/$USERNAME/Library/Audio/Plug-ins/VST3/ whichever still haven’t tried.

If all the above methods do not work, try following the steps below.

  1. Open terminal and run sudo spctl --master-disable.
  2. Go to System Preferences → Security and Privacy → General → Allow apps downloaded from, then select “Anywhere”.

Beware that steps above degrades security of your system. To revert the settings, follow the steps below.

  1. Go to System Preferences → Security and Privacy → General → Allow apps downloaded from, then select option to “App Store and identified developers”.
  2. Open terminal and run sudo spctl --master-enable.

Note This section may not relevant to macOS packages. However it’s not verified. (GitHub issue)

To use full package, following command might be used.

sudo codesign --force --deep -s - /path/to/PluginName.vst3

codesign might not be available without installing Xcode.

At first time, create color config file to:

style.json will be loaded for each time a plugin window opens.

Several color themes are available on the link below. To use, copy the text to style.json.

Below is an example of style.json.

{
  "guiScale"          : 1          ,
  "fontFamily"        : "Tinos"    ,
  "fontBold"          : true       ,
  "fontItalic"        : true       ,
  "foreground"        : "#000000"  ,
  "foregroundButtonOn": "#000000"  ,
  "foregroundInactive": "#8a8a8a"  ,
  "background"        : "#ffffff"  ,
  "boxBackground"     : "#ffffff"  ,
  "border"            : "#000000"  ,
  "borderCheckbox"    : "#000000"  ,
  "borderLabel"       : "#000000"  ,
  "unfocused"         : "#dddddd"  ,
  "highlightMain"     : "#0ba4f1"  ,
  "highlightAccent"   : "#13c136"  ,
  "highlightButton"   : "#fcc04f"  ,
  "highlightWarning"  : "#fc8080"  ,
  "overlay"           : "#00000088",
  "overlayHighlight"  : "#00ff0033"
}

The minimum of guiScale is 0.01. The maximum is practically non-existent (the max value of 64-bit float).

Notice: If guiScale is too large, DAW may place the “close” button on the plugin window out of screen, making it unclickable.

Following is a list of font options.

System font can be used as fontFamily. To use different fonts for different plugins, place *.ttf file into custom font path: *.vst3/Contents/Resources/Fonts.

Notice: If the combination of fontFamily, fontBold, fontItalic does not exist in custom font path, default font of VSTGUI is used.

If fontFamily is set to empty string "", then "Tinos" is used as fallback. If the length is greater than 1 and the font family name doesn’t exist, default font of VSTGUI is used.

Styles other than bold, italic or bold-italic are not supported by VSTGUI. For example, “Thin”, “Light”, “Medium”, and “Black” weights cannot be used.

Hex color codes are used.

First letter # is conventional. Plugins ignore the first letter of color code, thus ?102938, \n11335577 are valid.

Do not use characters outside of 0-9a-f for color value.

Following is a list of color options. If an option is missing, default color will be used.

Right Click on the controls pops up a context menu provided by DAW.

Knob and slider provides following controls:

Control with many blue vertical bars (BarBox) have some keyboard shortcuts. Shortcuts are enabled after left clicking BarBox and mouse cursor is on the inside of BarBox.

Input Control
Left Drag Change Value
Shift + Left Drag Change Value (Snapped)
Ctrl + Left Drag Reset to Default
Ctrl + Shift + Left Drag Change Value (Skip Between Frames)
Middle Drag Draw Line
Shift + Middle Drag Edit One Bar
Ctrl + Middle Drag Reset to Default
Ctrl + Shift + Middle Drag Toggle Lock
a Alternate Sign
d Reset Everything to Default
D Toggle Min/Mid/Max
e Emphasize Low
E Emphasize High
f Low-pass Filter
F High-pass Filter
i Invert Value (Preserve minimum)
I Invert Value (Minimum to 0)
l Toggle Lock under Mouse Cursor
L Toggle Lock for All
n Normalize (Preserve minimum)
N Normalize (Minimum to 0)
p Permute
r Randomize
R Sparse Randomize
s Sort Descending Order
S Sort Ascending Order
t Subtle Randomize (Random walk)
T Subtle Randomize (Converge to 0)
z Undo
Z Redo
, (Comma) Rotate Back
. (Period) Rotate Forward
1 Decrease
2-4 Decrease 2n-4n
5-9 Decimate by holding 2n-5n

Snapping is not available for all BarBox. If you’d like to have snapping for certain BarBox, feel free to open issue to GitHub repository.

Edit One Bar with Shift + Right Drag holds a bar under the cursor when mouse right button is pressed. Then only changes that one bar while holding down mouse right button.

Toggle Lock with Ctrl + Shift + Right Drag behaves as line edit. When right mouse button (RMB) is pressed, it holds the opposite state of the bar below mouse cursor, then use the state for the rest of bars. For example, if RMB is pressed on a locked bar, dragging unlocks bars while holding down RMB.

Some BarBox has scroll bar to zoom in. Scroll bar has handles on left end and right end. To control zoom, use Left Drag on one of the handle. Scroll bar also has following controls:

Pressing Refresh LFO or Refresh Table button stop sound. They also stop all midi notes.

Length of a wavetable is 2^18 samples.

136 band-limited wavetables are generated for each MIDI note. Pitch bending is supported as high as 21100 Hz. 21100 Hz is derived from MIDI note number 136. Frequency of MIDI note number 137 is higher then 22050 Hz. That’s why 136 is selected.

When fundamental frequency of a note is lower than 8.18 Hz, some overtones on high frequency may lost. However, cubic interpolation may cause noise which makes those frequency not to be 0.

noteToFreq(note) := 440 * Math.pow(2, (note - 69) / 12)
noteToFreq(0) = 8.175798915643707
noteToFreq(136) = 21096.16364242367
noteToFreq(137) = 22350.606811712252

Wavetable is represented as 2D array with size of 136 * 2^18. Bicubic interpolation is used to get the value from the table. Coordinate on time/band-limit axis is determined by phase and frequency of oscillator.

The size of wavetable is large for a synthesizer. Xrun may occur if memory is slow. It may also consume more resources for higher notes because access pattern becomes close to random.

CubicPadSynth uses PADsynth algorithm, which is originated from ZynAddSubFX. Yoshimi is also using PADsynth algorithm.

Passing phase randomized spectrum to IDFT (inverse discrete fourier transform) generates a cyclic waveform which is smooth when connecting an end to another end. PADsynth is utilizing this property.

“Profile” function is used to synthesize spectrum. CubicPadSynth uses normal distribution curve for profile, which is same as original PADsynth algorithm. Center frequency of profile can be set arbitrary. In default, CubicPadSynth uses fundamental frequency set by Base Freq. and its overtones.

If the image is small, use Ctrl + Mouse Wheel or “View Image” on right click menu to scale.

Diagram only shows overview. It’s not exact implementation.

Octave, Semi, Milli

Changes master pitch.

Milli is 1/1000 of semitone or 1/10 cent.

ET, A4 [Hz]

Changes tuning.

ET stands for equal temperament. Note that when ET is less than 12, some notes becomes silent due to frequency becomes too high or too low.

A4 [Hz] is frequency of note A4.

A, D, S, R

Gain envelope parameters.

Gain

Master output gain.

This is a psuedo low-pass filter. It shifts to wavetable which contains less overtone to get low-passed output.

Equation to get cutoff frequency is following.

cut = Cutoff * 128
keyFollowRange = Cutoff * (nTable - pitch)
lowpassPitch = (cut + KeyFollow * (keyFollowRange - cut)) - lowpassEnvelope * Amount;
if (lowpassPitch < 0) lowpassPitch = 0

noteToFreq(note) := 440 * Math.pow(2, (note - 69) / 12)
range  = noteToFreq(nTable)
lpFreq = noteToFreq(midiNote + lowpassPitch)
ntFreq = noteToFreq(midiNote)
cutoffFrequency = (1 + (range - lpFreq) / range) * ntFreq

128 used to calculate lpCut is an arbitrary value which came from MIDI note number range + 1. nTable is set to 136.

Cutoff

Changes filter cutoff frequency.

KeyFollow

When set to right-most, cutoff frequency is set to make the number of overtone to be almost same regardless of pitch of note. When set to left-most, it only use the value of Cutoff.

A, D, S, R, Amount

Filter envelope parameters. Amount changes the amount of modulation to cutoff.

A, D, S, R, Amount

Pitch envelope parameters.

Negative

Changes the sign of pitch envelope output.

nUnison

Number of voices used by unison.

To avoid interruption of release, increase the number of nVoice in Misc. section. Note that increasing nVoice consumes more resources.

Detune, Random Detune

Detune is the difference of pitch between voices used in a unison.

When Random Detune is checked, amount of detune changes for each note-on.

random = RandomDetune ? rand() : 1
detune = pitch * (1 + random * unisonIndex * Detune)
GainRnd

Amount of randomization of gain for voices used in a unison.

Phase

Amount of randomization of phase for voices used in a unison.

This parameter makes no effect when Reset in Phase section is checked.

Spread, Spread Type

Spread is an amount of stereo spread for a unison.

Spread Type provides options to assign panpot values according to voice pitch.

Refresh LFO

Refresh LFO wavetable based on current value of LFO Wave.

Note that refreshing wavetable stops sound. It also interrupts MIDI notes.

Interpolation

Type of LFO wavetable interpolation.

Tempo, Multiply

Sets LFO frequency according to current tempo. Lower numeral represents the length of note. Upper numeral is the number of notes.

Value of Multiply is multiplied to the frequency calculated from Tempo.

// (60 seconds) * (4 beat) = 240
lfoFrequency = Multiply * (BPM / 240) / (TempoUpperNumeral / TempoLowerNumeral)
Retrigger

When checked, resets LFO phase for each note-on.

Amount

LFO frequency modulation amount.

Lowpass

Changes cutoff freequency of low-pass filter for LFO.

LFO Wave

LFO waveform.

Phase

Initial phase of oscillator.

Reset

When checked, resets oscillator phase to the value set by Phase.

Random

When checked, randomize phase for each note-on. In this case, value of Phase becomes range of randomization.

Smooth

Time length to change some parameter value to current one. Unit is in second.

List of parameters related to Smooth. * represents wild card.

nVoice

Maximum polyphony. Lowering the number of this option reduces CPU load.

Pool

When checked, most quiet note is released when the number of active voice is close to maximum polyphony. This can be used to reduce pop noise which occurs on note-on.

Gain

Gain of profile.

Width

Width of profile.

Pitch

This value is multiplied to profile center frequency.

Phase

Range of randomization for the phase of profile.

Base Freq.

Fundamental frequency of wavetable. Note that if this value is small, master pitch becomes out of tune.

Multiply, Modulo

Changes profile center frequency.

profileCenterFrequency = mod(
  BaseFreq * profileIndex * overtonePitch * Multiply,
  440 * pow(2, (Modulo - 69) / 12)
)
Random

When checked, randomize profile center frequency. Ignores values of Pitch in overtone control.

Expand

Scaling factor to shrink/expand the spectrum along to frequency axis.

Shift

Shift spectrum along to frequency axis.

Comb

When this value is higher than 1, it changes the shape of profile like a comb. The value specifies interval between peaks.

Shape

Changes profile shapes by using the value of Shape as an exponent.

shapedProfile = powf(profile, shape);
Invert

Invert spectrum to make the maximum of absolute value to 0, and 0 to the max-abs value. Signs are preserved. Phases aren’t considered.

maxRe = max(abs(spectrumRe))
maxIm = max(abs(spectrumIm))
invertedSpectrumRe = spectrumRe - sgn(spectrumRe) * maxRe
invertedSpectrumIm = spectrumIm - sgn(spectrumIm) * maxIm

UniformPhase

When checked, phase of a profile becomes an uniform value.

Seed

Random seed. This value change random number sequence.

Gain^

Exponent for Gain in overtone control.

profileGain = pow(Gain, Gain^)
Width*

Multiplier for Width in overtone control.

profileWidth = Width * (Width*)

Refresh PADsynth wavetable based on current configuration of Wavetable tab.

Note that refreshing wavetable stops sound. It also interrupts MIDI notes.

CubicPadSynth is licensed under GPLv3. Complete licenses are linked below.

If the link above doesn’t work, please send email to ryukau@gmail.com.

VST is a trademark of Steinberg Media Technologies GmbH, registered in Europe and other countries.